Design in convergence. Form, function and technology from a contemporary point of view

Albers, J. (2013). Interaction of Color. Yale University Press.

Arnheim, R. (2017). Arte y percepción visual: Psicología del ojo creador. Alianza Editorial.

Babich, N. (2019). UX Design Trends: Augmented and Virtual Reality. Smashing Magazine.

Bass, S. (1996). Saul Bass: A Life in Film and Design. Laurence King Publishing.

Bierut, M. (2015). How to Use Graphic Design to Sell Things, Explain Things, Make Things Look Better, Make People Laugh, Make People Cry, and (Every Once in a While) Change the World. Harper Design.

Bierut, M. (2007). Seventy-nine Short Essays on Design. Princeton Architectural Press.

Bil’ak, P. (s.f.). Typography doesn’t just write, it shows how content should feel. https://peterbilak.com

Brown, T. (2009). Change by Design: How Design Thinking Creates New Alternatives for Business and Society. HarperBusiness.

Caldevilla Domínguez, D. (2009). La importancia de la Identidad Visual Corporativa. Vivat Academia, (103), 1-26.

Carson, D. (1995). The End of Print: The Grafik Design of David Carson. Chronicle Books.

Carter, R., Day, B., Meggs, P. B., & Maxa, S. (2015). Typographic design: Form and communication. Wiley.

Casas, A. (2015, 12 de junio). Neville Brody. Historia del diseño gráfico y publicidad. https://historiadissenyidep.blogspot.com/2015/06/neville-brody-albert-casas.html

Crawford, K. (2021). Atlas of AI: Power, Politics, and the Planetary Costs of Artificial Intelligence. Yale University Press.

Creatyum Media. (2018, 16 de abril). Jessica Walsh: creative graphic designer. https://creatyum.media/articulo/jessica-walsh

Delahaye, S. R. (2017). Color as a Tool for Emotional Branding. Journal of Visual Identity, 15(3), 45–58.

DesignBro. (2020). Coca-Cola Logo – History, Evolution, Meaning & Visual Identity. https://designbro.com/blog/brand-logos/coca-cola-logo-visual-identity/

Do, C. (2024). Chris Do on Creative Work: The Design Economy, Remote Work, and Evolving Skill Sets [Video]. YouTube. https://www.youtube.com/watch?v=A3i6IqRg-pQ

Eco, U. (1976). A Theory of Semiotics. Indiana University Press.

Eiseman, L. (2000). The Pantone Guide to Communicating with Color. North Light Books.

Elam, K. (2004). Grid Systems: Principles of Organizing Type. Princeton Architectural Press.

Fairey, S. (2008). Obey: Supply and Demand, The Art of Shepard Fairey. Gingko Press.

Fundación Colorearte. (2020). Guía: Color y Cultura.

Frutiger, A. (1989). Signs and Symbols: Their Design and Meaning. Van Nostrand Reinhold.

Gropius, W. (1965). The New Architecture and the Bauhaus. MIT Press.

Heller, E. (2009). Psychology of Color: How Colors Act on Feelings and Reason. Springer.

Heller, S. (2015). Design Literacy: Understanding Graphic Design. Allworth Press.

Heller, S. (2015). Teaching Graphic Design: Course Offerings and Class Projects from the Leading Graduate and Undergraduate Programs. Allworth Press.

Heller, S., & Vienne, V. (2003). Citizen Designer: Perspectives on Design Responsibility. Allworth Press.

Holmes, K. (2018). Mismatch: How Inclusion Shapes Design. The MIT Press.

Holmes, N. (1985). Designer’s Guide to Creating Charts and Diagrams. Watson-Guptill Publications.

Hyndman, S. (2016). Why Fonts Matter. Virgin Books.

Ingels, B. (2019). Formgiving: An Architectural Future History. Taschen.

Itten, J. (1973). The Art of Color: The Subjective Experience and Objective Rationale of Color. Wiley.

Kahneman, D. (1973). Attention and Effort. Prentice-Hall.

Kapferer, J.-N. (2012). The New Strategic Brand Management: Advanced Insights and Strategic Thinking. Kogan Page.

Kress, G., & van Leeuwen, T. (2020). Reading Images: The Grammar of Visual Design. (Routledge.

Krug, S. (2014). Don’t Make Me Think, Revisited: A Common Sense Approach to Web Usability. New Riders.

Leonidas, G. (2015). On systems and quality in typeface design. Academia.edu. https://lc.cx/zj2lU1

Licko, Z. (2001). Emigre Fonts: Type Specimens and Essays. Émigré.

Lupton, E. (2015). Graphic Design: The New Basics. Princeton Architectural Press.

Lupton, E. (2010). Thinking with Type: A critical guide for designers, writers, editors, & students. Princeton Architectural Press.

Maag, B. (2018). Custom Fonts and Brand Identity. Dalton Maag Studio. https://daltonmaag.com

Maag, B. (s.f.). Typography in the digital age. https://www.daltonmaag.com

Maeda, J. (2019). How to Speak Machine: Computational Thinking for the Rest of Us. Penguin Books.

Maeda, J. (2006). The Laws of Simplicity: Design, Technology, Business, Life. MIT Press.

Manovich, L. (2001). The Language of New Media. MIT Press.

Margolin, V. (2002). The Politics of the Artificial: Essays on Design and Design Studies. The University of Chicago Press.

Marketingino. (2023). Fanta’s Marketing Strategy: A Colorful Playbook for Global Success. https://lc.cx/tLPBrL

Mau, B. (2004). Massive Change. Phaidon Press.

McLuhan, M. (1994). Understanding Media: The Extensions of Man. MIT Press.

McGonigal, J. (2011). Reality Is Broken: Why Games Make Us Better and How They Can Change the World. Penguin Press.

Millman, D. (2017). The Essential Power of Storytelling in Design. PRINT Magazine. https://lc.cx/e5z8cI

Millman, D. (2017). Why Design Matters: Conversations with the World’s Most Creative People. Harper Design.

Millman, D. (2013). Brand Thinking and Other Noble Pursuits. Allworth Press.

Monteiro, M. (2014). Design is a Job. A Book Apart.

Munari, B. (1981). ¿Cómo nacen los objetos? Editorial Gustavo Gili.

Munari, B. (1983). Arte como oficio. Editorial Gustavo Gili.

Munari, B. (2008). Design as Art. Penguin Books.

Müller-Brockmann, J. (1981). Grid Systems in Graphic Design. Niggli Verlag.

Newman, D. (2019). Human/Machine: The Future of Our Partnership with Machines. ForbesBooks.

Neumeier, M. (2006). The Brand Gap: How to Bridge the Distance Between Business Strategy and Design. New Riders.

Noordzij, G. (2019). The Stroke: Theory of Writing. Hyphen Press.

Norman, D. A. (2004). Emotional Design: Why We Love (or Hate) Everyday Things. Basic Books.

Norman, D. A. (2013). The Design of Everyday Things: Revised and Expanded Edition. Basic Books.

Olins, W. (2008). The Brand Handbook. Thames & Hudson.

Papanek, V. (1985). Design for the Real World: Human Ecology and Social Change. Thames & Hudson.

Pallasmaa, J. (2005). The Eyes of the Skin: Architecture and the Senses. Wiley.

Pawson, J. (1996). Minimum. Phaidon Press.

Peralta, P. (2020). Proyectación lógica para la investigación en Diseño Gráfico. Estudios sobre Arte Actual, (8), 281-287.

Peralta, P. G. (2023). E-branding, la importancia de la gestión de la reputación en línea. Ñawi: arte diseño comunicación, 7(2), 162-174.

Peralta-Fajardo, P. (2024). Diálogos proyectuales en el diseño. MQRInvestigar, 8(1), 936–952. https://doi.org/10.56048/MQR20225.8.1.2024.936-952

Peralta Fajardo, P. (2024). Más allá de la tinta y el píxel. Consideraciones en torno a la enseñanza y al proyecto en diseño. Religación Press. https://doi.org/10.46652/ReligacionPress.142

Poynor, R. (2003). No More Rules: Graphic Design and Postmodernism. Yale University Press.

Rand, P. (1993). Design, Form, and Chaos. Yale University Press.

Rand, P. (2014). Thoughts on Design. Chronicle Books.

Redacción. (2016, 11 de abril). Grandes Diseñadores Gráficos: Ivan Chermayeff & Tom Geismar. Eslogan Magazine. https://lc.cx/hm3Rry

Rose, F. (2011). The Art of Immersion: How the Digital Generation Is Remaking Hollywood, Madison Avenue, and the Way We Tell Stories. W. W. Norton & Company.

Salen, K., & Zimmerman, E. (2004). Rules of Play: Game Design Fundamentals. MIT Press.

Schell, J. (2008). The Art of Game Design: A Book of Lenses. Morgan Kaufmann.

Scher, P. (2011). Make It Bigger. Princeton Architectural Press.

Schloss, K. B., & Palmer, S. E. (2010). An ecological valence theory of human color preference. Proceedings of the National Academy of Sciences, 107(19), 8877-8882. https://doi.org/10.1073/pnas.0906172107

Samara, T. (2017). Making and Breaking the Grid: A Graphic Design Layout Workshop. Rockport Publishers.

Saville, P. (2013). Peter Saville: Estate 1-127. Taschen.

Shaughnessy, A. (2018). How to Be a Graphic Designer Without Losing Your Soul. Laurence King Publishing.

Spiekermann, E. (2014). Calling All Typomaniacs: An Interview with Erik Spiekermann on Typography, Helvetica, and Design Manifestos. https://www.peachpit.com/articles/article.aspx?p=2172663

Spiekermann, E. (2014). Stop Stealing Sheep & Find Out How Type Works. Adobe Press.

Tschichold, J. (2006). The New Typography: A Handbook for Modern Designers. University of California Press.

Universidad Franz Tamayo. (2023). El poder del color: un lenguaje que conecta con las emociones más allá de la visión. https://lc.cx/EjPyn-

Van Toorn, J. (2006). Design’s Delight. 010 Publishers.

Vieira Caldas, S. (2021). El poder del diseño gráfico para generar emociones. Gráfica, 9(17), 37-45.

Vignelli, M. (2010). The Vignelli Canon. Lars Müller Publishers.

Vinh, K. (2011). Ordering Disorder: Grid Principles for Web Design. New Riders.

Walsh, J. (2015). And Walsh: Branding and Identity. Recuperado de https://andwalsh.com

Walter, A. (2011). Designing for Emotion. A Book Apart.

Warde, B. (1955). The Crystal Goblet: Sixteen Essays on Typography. Sylvan Press.

Weingart, W. (2000). My Way to Typography. Lars Müller Publishers.

Wheeler, A. (2017). Designing Brand Identity: An Essential Guide for the Whole Branding Team. Wiley.

Wong, W. (2020). Fundamentos del diseño bidimensional. Editorial Gustavo Gili.

World Wide Web Consortium (W3C). (2018). Web Content Accessibility Guidelines (WCAG) 2.1. https://www.w3.org/TR/WCAG21/

Wright, A. (1998). The Beginner’s Guide to Colour Psychology. Kyle Books.

Wroblewski, L. (2011). Mobile First. A Book Apart.